Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.


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Georg Flegel Maus und Papagei oil


Maus und Papagei
Painting ID::  67773
Maus und Papagei
Title Deutsch: Wein und Konfekt, Maus und Papagei Technique Öl auf Birnen- oder Rotbuchenholz Dimensions 22 X 28 cm (8.66 X 11.02 in)
   
   
     

Georg Flegel Krammetsvogel und Maronen oil


Krammetsvogel und Maronen
Painting ID::  72490
Krammetsvogel und Maronen
163x Öl auf Rotbuche 25,5x24cm cjr
163x _ _Öl_auf_Rotbuche _ _25,5x24cm _ cjr
   
   
     

Georg Flegel Krammetsvogel und Maronen oil


Krammetsvogel und Maronen
Painting ID::  74160
Krammetsvogel und Maronen
Date 163x Medium Öl auf Rotbuche Dimensions 25,5x24cm cyf
   
   
     

Georg Flegel Still-life with Parrot oil


Still-life with Parrot
Painting ID::  74429
Still-life with Parrot
Oil on canvas 78 x 67 cm
Oil_on_canvas _ 78_x_67_cm
   
   
     

Georg Flegel Stilleben mit Brot und Zuckerwerk oil


Stilleben mit Brot und Zuckerwerk
Painting ID::  74612
Stilleben mit Brot und Zuckerwerk
Oil on panel 21,9x17,1cm cjr
Oil_on_panel _ 21,9x17,1cm _ cjr
   
   
     

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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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